Kehlmann warns: Culture density circuit under Trump endangers freedom!

Kehlmann warns: Culture density circuit under Trump endangers freedom!

Daniel Kehlmann, a well -known German author, compared the cultural situation in the United States under the presidency of Donald Trump in a recent analysis with synchronization in National Socialism. Kehlmann emphasizes that the equalization of culture in the United States is currently progressing drastically and has decisive parallels to the methods of the National Socialists. He realizes that cultural workers are forced to lose their support by deleting funds and the advanced obedience teams in the cultural industry, for fear of losing their support. "Free Speech" is practical, especially for people without US citizens' rights, which illustrates the far-reaching consequences of Trump's politics.

In his novel "Lichtpiel", who addresses a film director during the Nazi dictatorship, there is an increasing interest in the United States. Many readers make parallels between the topics dealt with in the book and the cultural landscape under Trump, which also strengthens Kehlmann's warnings. He notes that, although no one has so far been detained in the artistic field, the situation in other social areas can be observed.

The way to the equivalent circuit

The term "synchronization" refers to the standardization of organizations in the historical context and is often discussed in connection with National Socialism. The National Socialists pursued the goal that all organizations in Germany represent the ideology and opinions of the NSDAP, which led to a comprehensive control of all areas of society. Media were only allowed to spread the perspective of the National Socialists, and any organizations that did not work in the sense of the Nazis were dissolved or replaced by Nazi institutions. This practice led to a complete synchronization of society and was a central feature of the dictatorship at that time.

An essential instrument of synchronization in the cultural area was the foundation of the Reichskulturkammer on September 22, 1933. Under the direction of Joseph Goebbels, the Reich Minister for People's Education and Propaganda, this chamber became the central organ of cultural control. All cultural workers were obliged to become a member, which caused a rigorous exclusion of critical voices and unconformed artists.

cultural effects and resistance

The exclusion of artists who did not work in accordance with the ideological guidelines led to the fact that many had to get into exile in financial need. Modern artists and those who were considered "degenerate" were also excluded from participation in culture. Kehlmann points out that diversity in cultural life is not desirable then as now, which leads to a decline in creativity.

In summary, Kehlmann criticizes the quickly adaptation of society to the prevailing political conditions and the acceptance of the government by former critics. His hope that a turn in American policy is possible is indicated by its concern about the destruction of the American economy, which could possibly serve as a catalyst for change.

For more information about the synchronization and its historical contexts, we refer to the articles of Tagesspiegel , Studyflix and Zeitklicks .