New tariff for theater: What does that mean for Rudolstadt?

New tariff for theater: What does that mean for Rudolstadt?

From August 1st, new tariff regulations come into force on German theaters who bring both positive and challenging aspects for the cultural industry. The aim of these changes is to create more planning security and relief for artists. But with small theaters, such as that in Rudolstadt, there are concerns that these regulations could have negative effects on rehearsal and game operations. The GDBA stage union gave the theaters a year to adjust to the changes. mdr Contain weekends a year.

A crucial aspect of these regulations is that the time for preparations and the learning of texts is now recorded as working hours. So far, there has been no fixed working hours in the current collective agreement (NV Bühne), but only an upper limit of 44 hours a week. The director of the Rudolstadt Theater, Steffen Mensching, expressed his concerns about the implementation of planned productions. He warned of a thin personnel ceiling and limited financial means, which leads to fear that fewer pieces can be listed. gdba recognizes the challenges for smaller theater and emphasizes the importance of the new rules for the employees.

fears and challenges

Mensching's criticism is that the peculiarities of the theater operation are not sufficiently taken into account. According to some theater representatives, these new regulations could lead to cuts in artistic design options. One aspect that must not go unmentioned in this context is the relocation of the public service tariff results to the NV stage. Employees in the public service receive a total of 3000 euros, paid out in several steps. ver.di Distribution to meet the different income classes.

The adjustments in the collective agreement could affect all of the fees in the coming months. From March 2024 there will be an increase of 200 euros for all employees, even if the base amount is below the original union claims. A gratifying aspect is the proportionate consideration of part -time employees and trainees that benefit accordingly. Nevertheless, the uncertainty about the exact impact of the new regulations on creative freedom and cultural offer in cities such as Rudolstadt and beyond.

Overall, it can be seen that while the new tariff regulations have some improvements, the implementation and the effects on artistic practice must continue to be viewed critically. The industry is faced with the challenge of finding a balance between just remuneration and artistic development, which will certainly remain a hotly debated topic in the coming months.