Rio Reiser: De legendarische optreden in Oost -Berlijn voor de val van de Berlijnse muur!

Rio Reiser: De legendarische optreden in Oost -Berlijn voor de val van de Berlijnse muur!

On October 1, 1988, the rock scene in the GDR experienced an unforgettable evening when the legendary Rio Reiser appeared in the sold-out Werner-Seelenbinder-Halle in East Berlin. Reiser, who conquered the hit parades with his band "Ton Steine Scherben" and his hymn "King of Germany" in 1986, came from Kreuzberg, West Berlin, and was a symbol of resistance and change in a time when the political lethargy was felt in the GDR. Dit rapporteert rbb-online .

De stemming in de hal was opwindend toen fans van de band zowel de oude als de nieuwe nummers met volledige stem zongen. It became particularly emotionally with the song "The Dream Is Aus", in which the texts reflected the longing for another reality and confronted those present with the question: "Is there a country on earth where the dream is reality?" The audience's festive answer, "this country is not!", Established the processed situation in the GDR as well as the greed for freedom and change. The appearance was almost a political manifesto, which took the events of the time into words, as in archive.org documented.

een verschijning in een politiek ruwe omgeving

Rio Reiser de gelegenheid om in Oost -Berlijn te spelen op uitnodiging van de FDJ. The concert took place within the political framework of the GDR, and some of his political songs such as "no power for nobody" were not played to avoid misunderstandings with the rulers. Het publiek was echter niet onder de indruk en zwaaide anarcho -vlaggen tijdens de uitvoering, wat een sterk teken was van het verlangen naar verandering. Reiser speelde ook zijn hitnummers "Let's Be A Miracle", "Blind Passenger" en "Junimond" en liet zo de harten van zijn luisteraars sneller slaan. On October 2, the spectacle repeated itself with an almost identical program and reactions of the audience, which demonstrated the great need for such cultural events in the GDR.

De late jaren 1980 werden gekenmerkt door verveling en stilstand voor de DDR, maar de rokscène bloeide. According to the Federal Center for Political Education, rock music was an important element of youth culture, which was recognized by both the rulers and the population. The move from Walter Ulbricht to Erich Honecker led to the promotion of rock music in the 1970s, whereby the SED created works that should bring the young people closer to socialist utopia. Nevertheless, the industry was strictly monitored, and many musicians had to obtain approval for public appearances in order not to be perceived as a threat to the socialist order, as in bpb.de

Aftermath en Eastern Valley

De nasleep van het uiterlijk van Reiser is nog steeds erg merkbaar. The so -called "Ostalgie", a nostalgic feeling for the GDR, has developed since the turn into an interesting phenomenon that is not only expressed in the form of events and fetuses, but also through markets and amusement parks. These memories are supplemented by economic success: the Bertelsmann Group achieved immense sales with the former East pop and rock productions and thus shows how timeless and strong the messages of this music are.

Over het algemeen moet worden opgemerkt dat het verschijning van Rio Reiser in Oost -Berlijn veel meer was dan alleen een concert. Hij was op het juiste moment een belangrijk cultureel evenement en bracht veel gepolitiseerde gedachten en hoop op het podium die in de lucht was. The memories of this time and Reiser themselves continue to live in the music and in the heart of many people who strived for freedom and change.