Theater premiere in Dresden: Racism and Terror in the focus of the stage

Theater premiere in Dresden: Racism and Terror in the focus of the stage

Dresden, Deutschland - in Dresden fell on June 14, 2025, the curtain for a play that has been urgently confronted with the painful past of Germany and the topic of racist violence. "You Came, You Saw - A No Escape Room" by director Ayşe Güvendirus deals with the processing of racist terror, especially in the context of extreme right murders since the 1990s. As nachtkritik.de Meat or anatomy is reminiscent and the emotionality of the topic is reinforced.

The piece offers impressive access to the perspective of those affected and avoids explanations or the search for state responsibility. It particularly refers to the arson attack in Solingen in 1993, in which five women and girls of Turkish origin lost their lives. A crime that is still considered one of the most serious racially motivated attacks in Germany's history. Five members of the Genç family, who had immigrated from Turkey, were murdered, and numerous relatives suffered partly life-threatening injuries, such as bpb.de reported.

The tragedy in Solingen

May 29, 1993 is not just a date, but a memorial for the brutal racist attacks in Germany. The trial of the four perpetrators who acted due to right -wing extremists began in 1994 and ended with relatively mild judgments. The murders were classified as for lower racist motives, and the perpetrators have now served their punishments and are at large again. This raises questions about justice and social relevance, which are also discussed in "You Came, You Saw", as it is Nachtkritik.de describes.

racist violence today

The explosiveness of the topic is underlined by the current figures on racist motivated violence in Germany. According to the reports of the sacrificial advice centers, the right -wing attacks rose 24% in 2024 compared to the previous year, with a total of 3,453 registered cases. The statistics show that racism is still the most common motive for crime, and the normalization of anti -Semitic and racist attitudes remains alarming. Also in North Rhine-Westphalia, the number of cases increases, which underlines the relevance of pieces such as "You Came, You Saw" that want to draw attention to such grievances as association-brg.de documented.

In a dramatic staging that is reminiscent of horror films, the piece puts the voices of the bereaved in the foreground. The victims' loss experience is urgently discussed by off-texts, supported by an aesthetic backdrop of dramatic music and red light. The central message is clear: society must recognize the systematic unequal treatment and racism in dealing with terrorist attacks and actively address these grievances.

"You Came, You Saw" is more than just a play. It is an urgent appeal for awareness of the experiences of those affected and the social reality of racist terror in Germany. An important sign that is still important in our time.