Cultural struggle in Senftenberg: Intendant RIS under pressure after AfD votes!

Cultural struggle in Senftenberg: Intendant RIS under pressure after AfD votes!

The cultural world in Senftenberg is head: Daniel Ris, the director of the new stage, is no longer extended according to his contract, which runs until 2027. This decision caused excitement in the theater landscape of Brandenburg. Many theater colleagues and the German stage association question the reasons for this measure and call for a transparent explanation. The director of the Brandenburg stages are also freed of the decision and have signed a joint explanation in which they express their support for RIS, as lr online reported.

Daniel Ris, who has been running the new stage for two years, has achieved impressive record loads during this time and received a positive response from the audience and press. In his approaches, he sees theater pedagogy as an effective means in the fight against right -wing extremist tendencies in the area of Senftenberg, a city in which the AfD received 33 percent of the vote in the last European elections. The continuing rumors about possible political influence seem to be not durable, but some actors raise questions, especially with regard to District Administrator Siegurd Heinze, which is suspected of having an impact on the decision, such as the Süddeutsche Zeitung performed.

solidarity and conflicts

Solidarity among theater colleagues grows noticeably. RIS is overwhelmed by this support, but is released with public statements. In the meantime, the silence remains on the part of the Oberspreewald-Lausitz district and the city of Senftenberg, which have so far not been given any reasons for the decision of the director. The German stage association has also expressed irritation about the non -extension and calls for a conversation to clarify the situation.

The current events around RIS also throws up larger topics of theater policy. In Germany, the structures of supervisory bodies in theaters are often politically shaped, which makes control of power and their abuse. The influence of political interests in the cultural industry is repeatedly discussed in research. The question of responsibility and the reaction mechanisms for such conflicts remains explosive, such as